30-Day Return Policy. Although the original 512 preamp was soon succeeded by the 512b and, later, by the 512c, its design topology a transformer-balanced input feeding APIs own 312 microphone preamp card with its proprietary 2520 discrete op-amp and 2503 balancing output transformer has been carried forward pretty much unchanged since the 1960s, into the latest member of the dynasty, the 512v 500-series microphone preamplifier. It works well in acoustic guitar or percussion instrumentation when using DPA microphones on stage without any distortion at very loud volumes. SONG NAME" what a wonderful name for a(n) GENRE song! The API 512c is a mic / line / instrument preamp, world famous for its ability to provide a low noise (-129 EIN) and unusually good sounding front end for all types of audio applications. In earlier designs, the user could select 1:1, 1:2 or 1:3 output ratios, the last two providing passive signal voltage gain. It's not good. With a range of mounting frame options, the API 512v will be a valuable asset to your ever-changing studio rigs. Gemtracks houses award-winning melody composers for you to work with. With its gain held back the 512v produces a clear, warm, punchy, dynamic sound with a crisp high end, a detailed mid-range and a really solid bass. 9842741222, 9942641222, 9842724434 chinamanpaversscc@gmail.com. Brochure (PDF) Manual (PDF) 512v Block Diagram (PDF) 525 Compressor. So there it is: the API 512v, an updated take on the legendary 512c mic preamp design, but that makes integration with present-day recording practices a simple proposition by giving you the facility to drive its output transformer that bit harder, and to attenuate its output to match a wide range of audio interfaces. You must log in or register to reply here. American Standard Pitch Notation, a true work of evil. The API 512v is also a fantastic option for those looking to record and stream in high quality. Punchy but natural sounding lows, mids and highs as they should be. Gemtracks has a directory of professional singers that can record a demo track for you. We are an official API Distributor. For over 50 years artists have be. TRS inputs on the 512c have been replaced with a combo input which makes a lot of sense and frees up space for the additional 3:1 switch and the output pot.At this point, you might be asking yourself what the use is for an output 3:1 switch, when the 512v comes with an output attenuator? In particular, this preamps phase linearity makes it apopular choice for recording transientrich material, such as drums, and the output transformers unusual construction bestows the preamp with lowlevel but appealing lowfrequency distortion properties. At first glance, the units appear quite similar, with the biggest difference being the addition of a second 2520 discrete op-amp in the circuit path of the 512v. Reply #8 on: April 27, 2005, 06:40:40 PM . 8,624. With the 3:1 tap out, and the attenuator at unity, this sounds just like the older 512c. En primer lugar, el API 512v incluye un control de nivel de salida justo debajo del potencimetro de ganancia de entrada. No project is too big or small, so give us a call today and let's talk gear! Our expertly trained Sales Engineers are ready to help! others use a larger transformer that has about 1.5dB more gain and is a couple. Dass der API 512c klanglich als hochwertig einzustufen ist, darin kann ich mich meinen Vorrednern nur anschlieen. MPC One based studio - thoughs and opinions please. Win! 500 Series Discrete Mic/Line/Instrument Preamp with Output Level Control and 3:1 Output Transformer Tap Switch, API 512V 500 Series Discrete Microphone Preamp, Music background: Music Engineer/Composer, Music background: Studio Musician, Recording Artist, Music background: Singer/songwriter, music production, Music background: guitarist, song writer and programmer, Thank you for your request. api 512c vs 512v. Help us match you with the perfect, 512V 500 Series Discrete Microphone Preamp. Does anyone own his 312a's? The intuitive design of the 512v made it easy to figure out. Terms and Conditions | Privacy and Security | Accessibility. Hey all, just to follow up, I had a chance to compare the 512V and the 312 preamps. . I'm really close to getting either 2 of Brent's 312A's, or 2 API 512c's in a lunchbox. The API 512v is actually an API 512c with one important exception - it features a variable output designed to meet the needs of audio professionals using DAW's or other input level-sensitive devices in their workflow. Other than that the new 512v retains the pair of transformers and even adds a new 3:1 tap on the output transformer to pad the output level, enabling you to further drive the transformer into saturation without blowing up whatever comes after the preamp in your chain. All rights reserved.
This transformer is the API 2503, and its unusual in that it has a quadfilar construction, meaning it has four identical windings, and this permitted various connection formats. Having successfully slipped it into a convenient gap in my Radial 500-series rack, I set about lining up the 512v. While the 312 may have aminimal feature set, it remains avery capable and desirable mic preamp, with good technical performance and acharmingly attractive sound character, which can be manipulated creatively with the gain control.
API 512v Preamp Review - Is it Worth It (2023 UPDATED) 10 years. Sonically, it delivers the instantly recognizable API sound at an affordable price, and in the scalable API 500 Series format. Learn More. 1.355 12. Add the classic API tone to your 500 series rack with the 512v Discrete Mic/Line Pre. Many options with the output stage and the 3:1 switch. take care. Once you submit your review, please check your email and verify your address to have it posted. 500-series module 65dB gain Variable output 3:1 output transformer tap Line/Instrument input with 45dB gain Front panel XLR/TRS combo input 20dB pad 48V Phantom Power. may be the perfect solution for you. In the 50th Anniversary 312, the output ratio is fixed at 1:3, while for the standard version it can be switched between 1:1 and 1:3, the former making the output 9.5dB lower than the latter, thus allowing the preamp to be driven harder before overloading the next device in the signal chain. The brand new 512v changes things up by featuring a . Price $995.00. The API 512v is a mic / line / instrument preamp, world famous for its ability to provide a low noise (-129 EIN) and unusually good sounding front end for all types of audio applications. But the 312 is far more than the sum of its parts. Hence we can tell what state each one false when it gets infected with static electricity or something similar.if(typeof ez_ad_units != 'undefined'){ez_ad_units.push([[580,400],'gemtracks_com-box-4','ezslot_4',631,'0','0'])};__ez_fad_position('div-gpt-ad-gemtracks_com-box-4-0'); The The curious clockwise rotation confused us for a few seconds but once we realized how that worked, set up was quick and simple. Musical. The 512 preamp is an American classic. I noticed a pretty significant difference between the Brent Averills with the original API 2520 opamp and my API 3124. Although the apparent relative positions of the first 2520 and the Cinemag and 2503 transformers remain pretty much as they were in the 512c, fitting in the second 2520 has required additional components, which have necessitated a practically wholesale move to surface-mount devices (SMD) in the 512v. The input transformer in the 312 design unbalances the mic input, of course, but it also provides a lot of the preamps standing voltage gain, thanks to its 1:7(ish) ratio. The capi pre's are great but then you need a 500 rack. The second harmonic distortion is coloured blue (low level) and red (high level), while the third harmonic is green (low) and orange (high). The mixing engineer will apply autotune, special effects and all the industry-secret formulas to make your song sound like a major hit. Mike Hillier looks to see whats been done to improve on an industry-standard piece of kit Details Manufacturer API Price $995.00 Contact Source Distribution Web www.apiaudio.com The 512 preamp is an American classic. Happy customers, one piece of gear at a time! 512c Mic / Line Pre. However what really surprised us is how great it sounded through its jack input while bass DI'd into another device on stage or otherwise part of mix. AKG C414 The Ultimate Comparison: XLS vs XLII vs B-ULS vs EB, Re: Crackling / Popping Noise on XLR Microphone, Re: The Behringer Keyboards 'n' Stuff Thread #3, Crackling / Popping Noise on XLR Microphone, Roger Linn teaches "Designing Physical Interfaces for Music". 24 watching. . Specifications; Manual (PDF) Brochure (PDF) Setup Sheet (PDF) 512v Mic / Line Pre. Want more vintage iron in your sound? It seems unlikely any changes were made to this part of the original design. For a better experience, please enable JavaScript in your browser before proceeding. In the studio, this new flexibility opens up a raft of new opportunities to shape your tone. It may not display this or other websites correctly. AKG C414 The Ultimate Comparison: XLS vs XLII vs B-ULS vs EB, Re: Crackling / Popping Noise on XLR Microphone, Re: The Behringer Keyboards 'n' Stuff Thread #3, Crackling / Popping Noise on XLR Microphone, Roger Linn teaches "Designing Physical Interfaces for Music". The way that this latest variant of the 512c enables you to drive its transformers whilst still maintaining your level matching with the next link in your audio setup opens up a range of artistic decisions on how you manipulate transformer-based distortion to create the sound that you want to hear. Transient detail is incredibly fast; the low-end is weighty but its the midrange where the signature 512 sound comes through the most, producing an aggressive, meaty tone, which is also the reason why these preamps end up being used for so many rock-guitar recordings. Spitfire Audio Hans Zimmer Collection. Everyone should try it outat least one time ;-)
These preamps came out of my API / Inward Connections 32 channel console . You may login with either your assigned username or your e-mail address. Turning that control clockwise to zero attenuation added a further 6dBto the output level. The API 512v is a microphone preamplifier with its own distinctive sonic signature. Was: Free shipping. api 512c vs 512v. 1.555 4. No Hassle Return Policy. Front panel XLR and 1/4 inch connectors combined with rear panel mic access allows for additional flexibility when installed into an API lunchbox, API's 10 . What type of mic's and recording situation are you planning on using the preamp with? (What instruments, mics sound better on which, etc) Pretty much the title, I've been looking for information and videos on both BUT I would love Reddit's take. The API design has been heavily copied and adapted by other manufacturers, from BAE to Warm Audio. These are the words award-winning producers and engineers use to describe the sound of the API 512v 500 Series Microphone Preamp. #5. tribedescribe said: Most boutique preamps today are in the neve 1073 or api 312/512 vein. I had some 512C's, which have always been my favorite on drums, but you could never really drive them into distortion where they sound their best. 5501 U.S. Hwy 30 W, Fort Wayne, IN 46818
API Audio 512c Mic Pre - Thomann Ellda 500 Series Preamps. I don't believe the 512s ever actually fit into the console.
API 512c 500 Series Microphone Preamp | Sweetwater I was recently exposed to the 512v preamps and they have the 3:1 ratio button that really colors the sound in a cool way., Steve Marcantonio (Blake Shelton, Vince Gill, J. Giles Band)Producer/Engineer Nashville, TN. New 512v Microphone Preamp JULY, 2016; JESSUP, MARYLAND: In response to high market demand for built-in signal attenuation, API announces the new 512v Microphone Preamp. The 512v was an excellent partner for the elderly Shure SM57. Since the placement of the 2503 in the 512v seems to use up virtually every millimetre of the 500-series hardware width specification, if that label starts lifting (as it had on the review unit) then it may well catch on the front panel of a neighbouring unit in the rack especially if that particular unit is on the outer edges of the 500-series hardware lateral tolerance. (See the Gain: Transformers & Opamps box for more detail on those.) Artfully combining those circuits with API's proprietary transformers and the incomparable 2520 op-amp, the 512v is a highly musical and rich-sounding analog mic pre, equally at home in commercial recording spaces as it is in smaller home studios. The melody is the tune or pitch of your lyrics when you sing. Turn it fully anti-clockwise and, as you might expect, the 512vs output level is reduced to zero. A set of frequency response traces (note the extended measurement bandwidth) taken with the gain control set to every calibration dot. What's your favorite 335 style guitar for under $1000 used? Working with the 512v is completely intuitive, apart from the curious clockwise rotation of the combination XLR/line connector, which confused me for a few seconds. The capi pre's are great but then you need a 500 rack. The API 512v remains faithful to the circuit designs of API's founder Saul Walker. The 312 was a little more sensitive / aggressive, maybe a touch warmer. In 1968, Automated Processes Inc. began building quality consoles for broadcast applications. The 527 Compressor/Limiter makes use of the 2510 and 2520 Discrete Op-amps and exhibits the reliability, long life, and signature sound which are characteristic of API products. Highly recommended. API's 512 preamp design is a classic and now there are even more reasons to love it! A few other preamps might be preferable for vocals, overheads, or wind instruments, but I can happily use the API pres for everything. PayPal Credit, Express Checkout and Pay in 4 available. The front panel Combo-style XLR and 1/4 inch connector combined with rear panel mic access allows for additional flexibility when installed into an API lunchbox, API's 10 position 500V vertical rack, or into an API console. It features 65 dB gain, so you can be as loud as possible without distortion. The 512v uses the same circuitry as o . Our article on LANDR Master + Distribution Review is a valuable resource for anyone looking to learn more about this subject. Before we racked up the 512v, we took a look at the insides and compared it to one of our 512c units. Having the output control on the 512V is super useful.
Comparing The API 512c vs. 512v With Vintage King - YouTube
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